Gossip Micro Poetry (rpm)

 Gossip mini text poems
/ colding
one poem there and micro-currents of thought
1917  changes occurred in literature, the history of Chinese literature, a striking pillar, marking the end of classical literature, modern literature start. at the end of the last century, in the reform movement to promote the direct assistance of, there have been breakthroughs in the traditional ideas and forms of social reform and change to meet the requirements of the attempt, including arrested pull not seen the results. However, the literature with the time change of faith and concern for social change mission, and its approach to the challenges of traditional literature of radical ideas and the spirit, both for the emerging literary revolution laid the foundation.
1917 In January, Hu in the has lost its regenerative power, the Chinese literature to adapt to modern society, it must be stylistic innovation, which advocated abolition classical vernacular. He proposed improvement of literature from the emphasis on grammar should not be disease-free moaning, hackneyed set of services to language, not typical, do not speak antithesis, not to avoid Vulgar Words and Idioms. Shifengqishi Hu article was published, there is no doubt the for Literature Revolution. In the same year February issue of the The campaign goal: building society to understand the popular literary culture. practice of literary creation is a revolution in the creation of poetry as a breakthrough, and new poetry movement form of liberation from the start the poem. Liang has been substantial efforts on the reform of poetry, he advocated , informal Pingze, informal length; have any questions, do poetry; poem how to do it, on how to do. the difficult process of transition to the new poetry. that period, there are more active Liu Bannong vernacular poet, Zhou, etc., and their major collection of poems published in the is the translation of Tagore conduct a five. verses appear, on the one hand a performance poet for the poetry of many efforts and explore the other hand, a performance poet from the outside world to capture his inner feelings and the feelings of delicate efforts. verses from the external objective body picture of the world turn to inner feelings, feelings expression, syntax and organization of writing tends to simplicity. Here the reference to a small victory, the performance of the sense of instant Xing, ignited a philosophy of life or mind sees the United States.
Second, the late moon party mini Poems
1926 年 6 月 10, portability, ; a poem is the body shape words, syllables is the blood. poetry poetic feeling or motive is the heart beat, with its only the circulation of blood, method, which is consistent metrical poetry in China a challenge. role. Xu wrote the famous article in this period, regression, which is different from the same period, Chinese poetry, narrative poets of the outside world is too heavy. the heart is the human soul, spirit pillar of human life plays a role in the external narrative, its essence is the inner world of surging . Micro emphasis on moral and poetic lyrics will, re-express the inner feelings, post-party mini-moon that the Chinese poetry poems are far-reaching impact.
Crescent late great poet of the same order enthusiasm in the form of poetry and bold experiment, the greatest impact is the sonnet of lent and the creation. in the exploration, some people question the , lent sonnet, we inquire the Chinese language is flexible, and even sounding language into the body text of the muddy, dense, and not a mere possibility of the word's a way more convenient. Meng-home exploration and innovation.
New Moon's role in the improvement of literature in the annals of history among Shenluo.
three ways
poetry micro-miniature works of a few for the time nowadays the mainstream of modern society, fast cover rhythm dictates, people lost patience long-winded, which is actually to some extent reflects the characteristics of this era impetuous, but since there is a naturally has its own reason, I am not riding not derogatory cheers from the it to have the. simpler and more acceptable, but also the truth in simple.
said micro poetry, from the following two points about:
1, the random mini-poems. not just random, West to take more than a patchwork of East twist. Poetry is literature, who is called higher animals is because people have thought. people see things have feelings, that is, the beginning of literature. 4th century BC, the Warring States period The Chu foundation with its own unique culture, combined with the North culture, giving birth to the great poet. Yuan and Song Yu deeply influenced by him and others to create a new verse Chu dates. Qu Yuan The absorbed the myth of the romantic spirit of romanticism in Chinese literature to open up the creative path. Jian Ruan after the era (210 - 263) is representative of the times Zhengshi poet, his He often tortuous lines expressed obsession, Juhuo, Masquerade was intended. with the same period there Ruan Ji Kang (224 - 263), his poetry cynical, dark reality directed edge. They basically inherited the two of poetry of form and style. This period is characterized by the total length songs short, lyrical than narrative. Southern Yue has preserved more than 480 first, usually Cource four verses, almost all love songs. far less than the number of Northern and Southern Yue Yue, but rich in content, language of the simple, energetic style is far and Southern Yue. If that is the romance of the Southern Yue, Musical Conservatory is the most famous long narrative poem open stage, free verse poetry formed mainly with both new metrical poetry, Symbolist poetry of a more perfect form of .40 half of the decade, was later known as the Folk Song of Poetry in the liberated areas of rural mature. Folk Song Poetry the performance of outstanding achievement in the Li Ji and Ruan Jing narrative poem .1949 of China was founded, the poetry has entered a new stage of development, new themes, new themes along with the new life came into being. Poetry People Writing a song after another new passion ode to the times. Meanwhile, the new society created a new batch of poetry and new works. New Era, quiet ten showing a flourishing poetry contained in the new scene. Poetry in performance practices, extensive reference to ancient and modern, in the form tend to loose even more freedom, style mix. New early, cheer the victory, reflect the history of poetry has inherited the tradition of realism, and make it continue. At the same time, a group of young poets, such as Shu Ting, Gu Cheng, rivers, etc. in the late 70s, early 80s grew up fast. They usually show a poetry obscure, complex emotion is different from the ordinary people that the emergence of himself as a lyrical side. in writing before the mini-verse, you should be clear in mind two points: First, I want to write anything; Second, how do I write. an inner feelings, you use the mini-verse shown, your mind have a written outline, you can put it in the form of an ordinary prose written; have formed the framework of prose, you will begin to down, further processing, they can become a miniature poem. Of course, the actual writing of poetry in the micro, there is no specific program, contemporary poetry has become a loose form of free verse.
2, Micro Poetry before conception
all literature, the author must first have a plot in mind and emotions, you may want to express do not have to consider what it means for readers to think better. This approach relies heavily on the author's life experiences , which often take the initiative to write, creation is passive. In this way the theme written by some of the things often confused, but the quality is often in this way, because writing is often the initiative was to be carried out with the accumulation of emotional , more natural to reflect the pretense of mood. in micro poetry, the first conception and then creation. In other words, of the clear before you begin to express ideas, and then according to their conception to find subject matter, This is the theme of the service. The purpose of writing very strong, very clear theme, but it is often easy to fall into the codification of being unable to extricate themselves far-fetched, loss of natural qualities of work. In this way tend to write things stable, consistent quality of the works better, but difficult out fine.
miniature poems should follow the With the feel of things to refine, to find one of the most brilliant thing, dig out the meaning of the expression to determine their own direction, and then cut them itself, so if the circumstances are fully consistent with the expression of their own direction, if not, also based on the needs expressed, give full play to their imagination, to compile the number of plots to the theme of service. It has a refining process in which the process is to put it more popular again, but life works from more than life. < br> IV, micro
poetic form of literary style at all, poetry is the origin of the earliest and oldest kind of style. prose, novels and other literary works can be spread to rely on written records, the earliest poems is that people verbal creation, spread by mouth, can not rely on text. like not the earliest poetry, poetry can be traced to the earliest primitive society. Poetry has a relationship of origin and labor. Western Han Dynasty classics before the call . If the numbers add some child in the content and interesting, it is that the original poem. Xun once that shouted that this is the Cao oxtail, eight songs enough to tie down vote.
Ge Tianshi is the legendary ancient tribes. their religious and recreational activities is carried by the three cows tail, while dancing, and singing songs with eight out speech. Songs not survived, but the book is written with the Bird Health business, is something about animal husbandry and agriculture. These Songs is the original poem, but they are not independent existence, but rather, and music and dance together. this situation from now on some of the world can still see the original peoples . poetry and dance from the first, and later gradually out of tune, a poetry reading and reading, but still retains the musical, that is, rhythm and rhyme. poem called .
Although Chinese poetry has broken through the shackles of metrical, but I think poetry rhyme if completely abandoned, poetry will be a mess. poetry need freedom also need to metrical poetry. Of course, where the rhyme does not stays on. Poetry is a poetry micro-part mini-poetry should stand on the same front with the music, innovative.
poetry is the branch of art, there is no doubt. But the mini-three lines or less limited to whether the poem necessary? micro-verse poetry is innovation. The so-called verse, that is, the format of poetry in general, including sentence, syntax, structure, rhyme and other factors, these factors combined in different ways by the formation of the format, rich and varied , unlimited wonderful, but just one tiny poems. Mini Boom poetry from the objective environment, is the tributaries; from the creation of the main view, reflects the refined art of the poet on the conscious pursuit; from the poetic development itself, micro poetry is separated from small independent poetry poetic. Therefore, the objective reality is the need for micro-poems, subjective conscious pursuit, and poetry flourished under the law of development of a new interaction verse. Although the not a rule no to limit the number of lines of poetry mini is I am afraid the more enterprising writer, the more happy dance in shackles before jump, jump good. just will not only feel poetry's metrical constraints. for not write poetry, and metrical obstacle is performed; for a writer, performed metrical tool has become. Talks on Poetry, . quatrains five parties on this the first time down to righteousness. break, Mianmiao different sights and feelings, inspire readers to a wealth of associations, Yao Miao's reveries. This is the mini-poem ; three lines within the , that is, verses, short poems or even a long poem.
five miniature Zen
ancient Chinese poetry and poems from the Poetry gradually emerging from the shackles of the Confucian tradition, to the diversity and splendor of the Tang Dynasty, Zen can not be ignored . This effect mainly in the way of thinking Traversing the art of changing the thinking of the poet. As insight and inspiration of thinking of thinking is very similar, so the Buddhist non-utilitarian, non-logical and non-objective characteristics of the poetry in the content reproduce the object from the weight shift on the performance of the main heavy, ethereal style by a gentle turn to You Yuan, the ancient Chinese art of poetry is different from the Confucian tradition has opened a new world to teach poetry, greatly enhanced the beauty of poetry. In ancient poetry in China Historically, the Wei and Jin is an important turning point. as a whole, China's poems both content and style, both in this period significant changes took place. content, severely re-turned to reproduce the performance of the main object; style, shift from the gentle ethereal Youyuan. The shift from the Wei and Jin began to peak Tang. cause of poetry are many reasons for this shift, but the influence of Buddhism is one of the main.
the development of poetry history, largely by the development of two clues. a basis of the Confucian philosophy, emphasizing the poetry of the tradition of helping the utilitarian role of people, re-verse of the philosophy-based, emphasizing the deepening of the poet and poetry aesthetic experience the aesthetic realm of development, re-inner contemplation, was born with a deep color. However, neither the development of these two cues simultaneously, nor parallel. Zen is a religion, Poetry is art; they are different ideologies. but between religion and art tend to have convergence, or have a formal isomorphism. Thus, the two can penetrate each other. And the link to Zen and Poetry even closer.
Zen as It is said that one day, India were all asked the monk, wind streamers move, whether it is wind or streamers move? people or that wind, or that the streamers move. and Hui Neng said: the wind does not move, the banner does not move, but people automatically. Huineng later became the founder of Zen Buddhism. so Zen that, since everyone has a Buddha mm original mind, as long as can explore the by means of It stressed the intuitive experience of ; This is a non-analytical and non-integrated, non-fragment and non-system of leap of intuition inspiration. (logical) thinking, the image of (direct sense) ideas and inspiration (Insight) thinking. static edge information into account, of the symbol.
modern psychology has found inspiration mainly in the subconscious mind is the conscious and the unconscious result of interacting with each other. It occurs generally divided into preparation, relaxation, broke out, verify four stages. of artistic creation entities, the preparation stage is actually a long-term observation, the accumulation process, the longer observation time, the accumulation of the more extensive form of the image and ultimately the potential of a certain intuition. relaxation phase is characterized by rational thinking processing stops, rather than rational thinking began to run, that is, the conscious activity to a standstill, while the subconscious mind is becoming more active activities. Because inspiration mainly in the subconscious, so this is an important prerequisite for the outbreak of inspiration. Yujie to Buddhist meditation by the community, advocated reflection from the external object of meditation to get things I left behind the aesthetic pleasure double. Therefore, both separated from Yu Jie, Yu Jie and beyond, and that goes beyond the utilitarian, without also established for the purpose of contemplation and meditation, based on the final they have achieved the purification of the mind. This is the Zen s Poems interlinked and one aspect. This is essentially the transcendence of artistic thinking. Only beyond the utilitarian, aesthetic subject to the greatest extent when the aesthetic aesthetic pleasure. Fisher Seoul in the . monk and poet beyond the utilitarian nature of this insight with the kind of said, the , and this requirement will be expressed something of immobilization. Zen is a rich, ambiguous, can be felt, not explained. So, language is far from the true meaning of Zen can not be replaced, but only to help people through to the true meaning of Zen tool. Zen can only rely on the true meaning of inner Ziwu.
. uncertainty, ambiguity and made full use of the expansion, but also makes the Zen language and preaching is very subjective arbitrary, totally inconsistent with the logic and general everyday norms. , reduction of the essence of the word in the line of the former reveals a world, Words. Sichuan University Professor Zhang Tao have raised ; No self I forgot all The ; six been thoroughly discussed in the system, proves the close relationship between the two.
References:
People's Publishing House
Press, 1996
Commercial Press in 1964